Hi, I'm Nick. 4th year college student, trying to get into grad school for publishing.
I'm not good at translating my thoughts into blog form, so this is mostly reblogs. Generally, topics include marxist philosophy, feminism, semiotics, literary theory, quite a bit of humor, and anything else that comes along.


This is my wonderful girlfriend.

These #itsametaphor parodies are my lifeblood. 

Five Ways To Be A Better Poptimist

nprmusic:

1. Don’t insist that pop be hip. A good chunk of mainstream music gains inspiration from more cutting-edge stuff — always has. (Remember when The Monkees went psychedelic?) But plenty of it plays by other rules: It could be rooted in Christian contemporary music, emo, or soft rock. That doesn’t make it less meaningful; it just takes work to understand these other legacies. It’s cool if you find John Legend corny, but respect that for millions his grounding in group harmony singing and Bacharach balladry signals sophistication. Respect values other than your own.

2. Understand that selling records is the point. The major players in creating mainstream pop don’t care about integrity, in the restrictive sense. They’re collaborators, and they’re interested in making money. So yes, Dr. Luke encourages his ingénue protégés to trade in feminine stereotypes (sometimes in highly questionable ways), and Avicii goes for obvious beats. Great pop sneaks in subtleties to enrich and even sometimes undermine the obvious elements that make a song pop out of the radio. Appreciating that requires an adjustment of one’s aesthetics. Recognize the value in familiarity and big gestures.

3. Acknowledge that the assembly line is a cornerstone of pop. Since the days of Tin Pan Alley, pop’s spirit has been one of energizing collaboration and seat-by-the-pants innovation. There’s little room in this game for purist notions of artistic integrity. “We Can’t Stop" has seven writers and was originally intended for Rihanna. What’s interesting about the song is how it transformed in the process of becoming Miley Cyrus’s signature. Know the limits of this kind of production while also noticing where the soul can slip in.

4. Physically connect with the mainstream, but don’t presume you know what its different corners are all about. Lindsay Zoladz recently wrote on her Tumblr about attending a Miley concert and realizing that — at least sometimes — she wanted to write for the Bangerz, Miley’s devotees, not for her fellow Pitchfork nerds. I applaud her insistence that music obsessives need to look outside the confines of their own tribe and learn from non-fetishists. But the desire to identify can sometimes obscure that “otherness” you mention, even for poptimists. As enriching as it is to feel good in a crowd of strangers, it’s equally useful to go where things are less comfortable. For every charming fan you might meet at a non-hipster show, there’s a drunk one, and one whose political views are really different than your own, and one who (if you go see Kirk Franklin or Mary J. Blige) might ask you to pray with them. As you’ve said, encountering the other can be difficult — for poptimists too. It should be difficult. Insight comes from wrestling with the awkwardness.

5. Go beyond Beyonce. I think we all need to acknowledge that King Bey is not your average diva-bear, and that putting her on a best-list is not an adventurous move. Assignment for all poptimists: have an opinion about the Jason DeRulo album that drops today.

— via Why We Fight About Pop Music

tardisity:

Concept art for The Fault in Our Stars (2014)

"If systems of policing, the police, are everywhere, then the point is to make our own work, our practices, as free from such policing as possible, not because unrestrained thought or action is always right (quite the contrary) but because, under scrupulous policing, nothing new can be produced, except perhaps evasions. Indeed the right to make mistakes and to be wrong is just as important — perhaps more so — than the right to be accorded the status of knowledge."

Elizabeth Grosz, Space, Time, and Perversion: Essays on the Politics of Bodies (via lovevoltaireusapart)

yes. yes!

(via tanacetum-vulgare)

"You never get to the point where you think “I am the adult”, but you do get to the point where you think “I’ve dealt with this before.” The older you get, the higher and higher the percentage is of things you’ve already been through. Have you ever changed a tire? Had a flat tire? Someday, you might, and the next time it happens, you’ll know what to do, since you’ve already done it."

-My dad. I’m 24, and asked if you ever shake the feeling of not being an adult, and this was his response. Probably the most comforting thing he could have said.

Your dad is damn right.

(via kate-wisehart)

This makes so much sense to me.

(via unquietpirate)

 
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